Skip to main content

Rendering Recommendations draft

So finally, I am giving out this long awaited draft:
http://tinyurl.com/34yckl

It addresses some of the OpenType, Unicode and fonts related issues. Many of the issues discussed here, have been the source of conflicts, especially for ml_IN. Thus it was an utter need to provide a detailed analysis like this. I hope the illustrations made there provide some common guidelines. There is certainly a scope for improvement. I would like to hear from various communities if they want some of the other left out issues to be also addressed.
The draft is open for discussion and feedback.

Comments

  1. Hi राहुल,
    Posting my comments here, primarily for devanagari.
    First, with reference to the issues that were raised.
    1.
    अॅ Issue 1 - This form is also used in Hindi for transliterating foreign language words, for though more common in Marathi.
    Similar is the case for
    आॅ - which should be rendered the same way as ऑ, although we would be promoting two forms of the same text. Perhaps the renderer can auto convert आॅ to ऑ
    २. ऱ् - I'm curious to know if there are any other instances in Marathi that necessitate the need for ZWJ - ie not having ZWJ would change the word grammatically? Asking you because ZWJ use for ऱ् has been oft quoted on the unicode mailing lists even though it can be encoded even without ZWJ.
    3. Nothing can be done about the "redundant" codepoints. But we could have the rendering engine always produce the most compact encoding, ie the rendering engine can auto convert क़ to the single codepoint.
    4. Lack of encoding for ङ्क, ङ्ख, ङ्ग, ङ्घ conjucts - most common fonts lack these conjuncts, as a result, users resort to using anuswar instead, which is fine, but the font glyphs are forcing a particular kind of behavior on the users. Encoding of these conjuncts should be mandatory.
    5. Text editor - can you incorporate a section for the text editor as well, aside from font, rendering engine and unicode? - text editors should be designed such that they compact to the least codepoint form.
    eg क़ gets replaced with the one single conjunct, र + halant + ZWJ gets replaced with ऱ + halant during storage or data transfer.
    This way we save space(which not really the goal) and also have a consistent codepoint sequence for common words (which is the goal).
    आलोक

    ReplyDelete
  2. Hi Alok,
    Thanks for your comments.
    1. I have received few feedbacks that have informed that the independent vowel for candra E i.e. अॅ already proposed in unicode and is currently in the beta version of unicode 5.1.0. I don't think need to have anything special for आॅ issue since ऑ is already encoded. But we may manipulate the sequence in keyboard maps.
    2. Users can always use ZWJ/ZWNJ as per guided in unicode standard. Generally they are used for alternative half forms and are used in marathi sometimes.ZWNJ is more common on few websites, may not be per unicode always, but in few cases they are required.
    3. removing redundancy is useful for ensuring proper combinations as well. But the actual data size cannot be reduced.
    4. Formation of the conjuncts is entirely upto font and we can at the most make sure to include these conjuncts in the font. But convincing unicode to add them will be very difficult.
    5. Variety and wide spectrum of text editors may not provide compact encoding, but we can always modify or create few of such.

    ReplyDelete

Post a Comment

Popular posts from this blog

PVR is so wierd!

Yesterday we went second time to a mall bit far from office to complete the earlier failed mission of watching this 3D movie, Clash of the Titans. On ticket counter, we were first told that evening show was house full. Then we asked for a night show, and were told there isn't any show then and the gentleman handed us the pamphlet of all movie schedules. We checked on the nearby digital kiosk and also on the printed schedule to be sure of the show timings. Then went to second counter, and asked the lady for the night show tickets, and without any problem got the tickets for back seats. In fact this show was hardly 20% full, wonder how the evening show became houseful. But the biggest wonder/blunder is yet to come. On the entrance we were stopped for having a laptop bag along with (we had went straight after the office). In spite of having checked the bag, we were not allowed, because laptops were not allowed inside! Then we asked for keeping it at the baggage counter. But then, the...

Would you look through a window or go out and play in open?

Freedom of knowledge has always been worshiped across philosophies and religions all over the world. It has been applicable to the most fields of science and technology. This freedom has helped the growth of science, technology, and benefited the human world in every aspect. When Jonas Salk invented polio vaccine, he said "There is no patent. Could you patent the sun?" He did not try to hide its formula. When you buy a car, nobody stops you from opening its bonnet, fix a few problems, do a few modifications. That, is the freedom of knowledge, applied throughout the branches of science. But when it comes to software, abruptly, everyone starts hiding the source code, the formula behind it. You would be even denied from making similar kind of products, by means of patents. Some of the readers might have already guessed where I am taking this topic to. [Those who know enough about foss, may skip the following paragraph.] When you buy a software, it is most likely that you would...

The Kreate logo is done!

It's been several months now that we have been brainstorming about the logo and caption. We all were thinking on lines of both creativity and value offerings. Gautam was continuously thinking on lines of how to communicate imagination and implementation parts simultaneously, the left and right of the brain. Many tag-lines popped up, but always there was something missing. Finally, me and joy took up these two words from Gautam and simply put a dot between them. It sounded so crisp! 'Imagination.Implementation'! Meanwhile, many of us were trying to come up with the design ideas. For me, playing with various shapes of 'K' and using whatever minuscule knowledge of calligraphy/typography I had, became my regular pass-time to keep myself awake in gaseous classrooms. In later stages, I got stuck on the idea of creating a character out of K that can personify the values we worked on so long. Finally emerged the k-man that is so carefree, cheerful, and aesthetic. Joy took t...